Inhoud
- Basic Theory
- Triad Arpeggios
- Seventh Chord Arpeggios
- Utilizing Mini-Arpeggios
- Note Order
- Approach Tones
- Approach Tones From Below
- Approach Tones From Above – Chromatic
- Approach Tones From Above - Diatonic
- Combining Chromatic and Diatonic
- Improvising Over ii V I Progressions
- Combining Mini-Arpeggios With Scales
- Dominant Seventh: Mixolydian and Blues
- Minor Modes: Dorian, Aeolian and Phrygian
- Major Modes: Ionian and Lydian
- Locrian Mode
- Phrygian Mode as an Altered Scale
- Ultimate Mini-Arpeggio Challenge