Inhoud
- List of Illustrations
- List of Tables
- List of Music Examples
- List of Complete Editions of Pieces
- Abbreviations
- 1:Introduction. Celebrating Transgression and Excess: Busnoys and the Boundaries of Late Medieval Culture, Paula Higgins
- 2:`Trained and immersed in all musical delights': Towards a New Picture of Busnoys, David Fallows
- Part I Music, Ceremony, and Ritual in Late Middle Ages
- 3:Music and Ritual at Charles the Bold's Court: The Function of Liturgical Music by Busnoys and his Contemporaries, Howard Mayer Brown
- Appendix A. Passages from the 1469 Regulations at Charles the Bold's Court Concerning Singing
- Appendix B. Liturgical Occasions Celebrated with Special Solemnity at the Court of Charles the Bold
- Appendix C. The Contents of Brussels 5557
- 4:On the Origins, Contexts, and Implications of Busnoys's Plainsong Cantus Firmi: Some Preliminary Remarks, M. Jennifer Bloxam
- 5:The Ceremony of the Armed Man: The Sword, the Altar, and the L'homme armé Mass, Flynn Warmington
- Appendix A. Extracts Concerning the Mass Called the Ceremony of the Armed Man, from the Zibaldone Quaresimale of Giovanni Rucellai
- Appendix B. The Imperial or Royal Sword Ceremony during Christmas Matins from the Papal Ceremonial of Pierre Ameil, c.1375-1400
- Appendix C. Papal Gifts of the Sword and Hat Blessed on Christmas and Sent to Distant Recipients, 1455-1503
- Appendix D. Gifts in the Pope's Presence of the Blessed Sword and Hat, 1455-1503, in Rome
- Appendix E. Text for the Presentation of the Blessed Sword and Hat, Instituted by Sixtus IV
- Part II Intertextual, Contextual, and Hermeneutic Approaches to Late Medieval Musical Culture
- 6:Arma virumque cano: Echoes of a Golden Age, Michael P. Long
- 7:Musical Politics in Late Medieval Poitiers: A Tale of Two Choirmasters, Paula Higgins
- 8:Mensural Intertextuality in the Sacred Music of Antoine Busnoys, Rob C. Wegman
- Appendix. Chapter Deliberation re: Busnoys v. Le Begue
- 9:Text, Tone, and Symbol: Regarding Busnoys's Conception in In hydraulis and its Presumed Relationship to Ockeghem's Ut heremita solus., Jaap van Benthem
- Appendix A. Busnoys's In hydraulis and it Sources
- Appendix B. The Fifteenth-Century Orthography of Ockeghem's Name
- Appendix C. In hydraulis: Letter-Values and Golden Sections
- Part III Issues of Authorship, Attribution, and Anonymity in Archival and Musical Sources
- 10:The Magnificat Group of Antoine Busnoys: Aspects of Style and Attribution, Mary Natvig
- Appendix. Text and Translation of the Magnificat
- 11:Resjois toi terre de France/Rex pacificus: An `Ockeghem' Work Reattributed to Busnoys, Andrea Lindmayr-Brandl
- 12:Busnoys and `Caron' in Documents from Brussels., Barbara H. Haggh
- Appendix A. Documents from Brussels on Busnoys and `Caron'
- Appendix B. Summary of Burgundian Court Escroes Showing Caron's Presence or Absence
- 13:Conflicting Attributions and Anonymous Chansons in the `Busnoys' Sources of the Fifteenth Century, Leeman L. Perkins
- Appendix A. Busnoys Song Attributions
- Appendix B. Virelais in the Sources Central for Busnoys: A Summary Overview
- Appendix C. Inventory of Virelais in the Sources Central for Busnoys
- Appendix D. Catalogue of Chansons by Antoine Busnoys
- Part IV Reading the Theorists on Compositional Procedures and Changing Styles
- 14:False Concords in Busnoys, Peter Urquhart
- Appendix A. Thirty-one Harmonic Fifths in Busnoys's Three-Part Chansons that are Probably Diminished
- Appendix B. Busnoys, C'est bien maleur
- 15:Simultaneous Conception and Compositional Process in the Late Fifteenth Century, Richard Wexler
- 16:Reading Tinctoris for Guidance on Tempo, Alexander Blachly
- Part V Busnoys's Legacy
- 17:Henricus Isaac and Fortuna desperata, Martin Picker
- Appendix. Fortuna desperata: A List of Individual Settings of Voices Borrowed from the Canzona Attributed to Busnoys
- 18:Busnoys and Japart: Teacher and Student?, Allan W. Atlas
- 19:Poliziano, Primavera, and Perugia 431: New Light on Fortuna desperata, Honey Meconi
- Appendix A. Fortuna desperata: Chronology to c.1510
- Appendix B. Comparison of London 16439 and Riccardiana 2723 (Original Layer)
- Appendix C. Stanze 33-37 of Poliziano, Stanze cominciate per la Giostra del Magnifico Giuliano de' Medici
- 20:Busnoys and Italy: The Evidence of Two Songs, Joshua Rifkin
- Conference Closing Forum: Future Directions in Busnoys Studies
- Notes on Contributors
- Index of Compositions by Busnoys
- General Index