Inhoud
- Chronology
- Introduction
- Part I: To 1914
- 1:A Recognition (c.1898-1900)
- 2:Theme as related to Form in Music (1901)
- 3:My Musical Outlook (1902-4)
- 4:Beatless-notation Machine (1902/03)
- 5:The Music of Cyril Scott (1912)
- Part II: 1915-21
- 6:The Impress of Personality on Unwritten Music (1915)
- 7:Modernism in Pianoforte Study (1915)
- 8:A Blossom Time in Pianoforte Literature (1915)
- 9:Modern and Universal Impulses in Music (1916)
- 10:The World Music of To-morrow (1916)
- 11:Richard Strauss: Seer and Idealist (1917)
- 12:The Unique Value of Natalie Curtis' Notations of American Negro Folksongs (1917/18)
- 13:Possibilities of the Concert Wind Band from the Standpoint of a Modern Composer (1918)
- 14:Let us Sit in Wait No Longer for the Advent of Great American Composers—They are with Us Already (1919)
- 15:The Influence of Anglo-Saxon Folk Music (1920)
- 16:The Value of Icelandic to an Anglo-Saxon (1920/21)
- 17:Nordic Characteristics in Music (1921)
- Part III: 1922-30
- 18:Guide to Virtuosity: Foreword to Students (1923)
- 19:What Effect is Jazz likely to have upon the Music of the Future? (1924)
- 20:To My Fellow-Composers (1924)
- 21:The Completion of the Percussion Family in the Orchestra (1926)
- 22:Sargent's Contributions to Music (1927)
- 23:The Orchestra for Australia
- 24:The Gregarious Art of Music
- 25:Music of Ensemble Players (1927)
- 26:Impressions of Art in Europe (1929)
- Part IV: 1931-39
- 27:Democracy in Music (1931)
- 28:A General Study of the Manifold Nature of Music (1932)
- 29:Arnold Dolmetsch: Musical Confucius (1933)
- 30:Can Music become a Universal Language? (1933)
- 31:Melody versus Rhythm (1932/3)
- 32:Characteristics of Nordic Music (1933)
- 33:Can Music be Debunked? (1933/4)
- 34:Sublime and Frivolous Elements in Music (1934)
- 35:Roger Quilter: The Greatest Songwriter of our Age (1936)
- 36
- Part V: 1940 and After
- 37:The Culturing Possibilities of the Instrumentally Supplemented A Capella Choir (1942)
- 38:The Specialist and the All-round Man (1943)
- 39:Grieg: Nationalist and Cosmopolitan (1943)
- 40:English Pianism and Harold Bauer (1945)
- 41:How to Memorize Music (1948)
- 42:Music Heard in England (1949)
- 43:The Saxophone's Business in the Band (1949)
- 44:About Delius (1950-52)
- 45:Henry Balfour Gardiner: Champion of British Music (1951)
- 46:Questionnaire (1955)
- Appendix - List of Grainger's Writings
- Index